There are so many different distortion/overdrive/fuzz guitar pedals, and some have a better reputation than other. Two of them have a reputation of being closed (one copied on the other), and I already explained how one of these could be modeled (and I have a plugin with it!). So let’s work on comparing the SD1 and the TS9.
I’m currently considering whether I should do more posts on preamps modeling or just keep implementing filters/plugins. Of course, it’s not one or the other, there are different options in this poll:
So the idea is to ask my readers what they actually want. I can explain how the new triodes filters are implemented, how they behave, but I can also add new filters in Audio Toolkit (based on different preamp and amp stages, dedicated to guitars, bass, other instruments), try to optimize them, and finally I can include them in new plugins that could be used by users. Or I can do something completely different.
So if you have any ideas, feel free to say so!
ATK is updated to 1.3.0 with new features and optimizations.
When analyzing a circuit form scratch, we need to replace all capacitors by an equivalent circuit and solve the equation with this modified circuit. Then, the equivalent currents need to be updated with the proper formula.
Continue reading Analog modeling of a diode clipper (4): DK-method
Let’s dive directly inside the second diode clipper and follow exactly the same pattern.
Continue reading Analog modeling of a diode clipper (3b): Simulation
Now that we have a few methods, let’s try to simulate them. For both circuits, I’ll use the forward Euler, then backward Euler and trapezoidal approximations, then I will show the results of changing the start estimate and then finish by the Newton Raphson optimization. I haven’t checked (yet?) algorithms that don’t use the derivative like the bisection or Brent algorithm.
All graphs are done with a x4 oversampling (although I also tried x8, x16 and x32).
Let’s start with the two equations we got from the last post and see what we can do with usual/academic tools to solve them (I will tackle nodal and ZDF tools later in this series).
This is mainly a bug fix release. A nasty bug on increasing processing sizes would corrupt the input data and thus change the results. It is advised to upgrade to this release as soon as possible.
This is the first stable release of the Audio Toolkit, after more than a year of development. In addition to the serial pipeline, there is now an option to use TBB to render each chunk in parallel. The pipeline can also return the maximum latency the pipeline possesses if all latency information is given during the build of the pipeline.
Additional filters were also added to complement the current set of filters.
Focus on this release was on performance. As such the core functions were optimized, as well as some tools and EQ.
A new filter dedicated to fast convolution (using a fixed-size partition with a mix of FFT convolution and explicit FIR filter) with 0 latency was added.