Tag Archives: Music

Announcement: Audio TK 2.1.0

ATK is updated to 2.1.0 with a major refactoring of the Python wrappers and extensive testing of them. New filters were also added to support more complex pipelines (mute/solo and circular buffers for real-time spectrum displays) and Audio ToolKit provies now a CMake configuration file for easier integration in CMake projects.
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Book review: Getting Started With JUCE

After the announce of JUCE 5 release, I played a little bit with it, and then decided to read the only book on JUCE. It’s outdated and tackles JUCE 2.1.2. But who knows, it may be a gem?

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Announcement: Audio TK 2.0.0

ATK is updated to 2.0.0 with a major refactoring to ensure signed/unsigned consistency, new Adaptive module and EQ design. Complex-valued filters are also now available to allow simultaneous dual channel processes and advanced filters like complex LMS filters.
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AudioToolkit: creating a simple plugin with WDL-OL

Audio Toolkit was started several years ago now, there are more than a dozen plugins based on the platform, applications using it, but I never wrote a tutorial explaining how to use it. Users had to find out for themselves. This changes today.

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Announcement: Audio Unit updates

I’m happy to announce the updates of all OS X plugins based on the Audio Toolkit. They are available on OS X (min. 10.11) in AU, VST2 and VST3 formats.

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Book review: Why You Love Music: From Mozart to Metallica

I have to say, I was intrigued when I saw the book. Lots of things about music seem intuitive, from movies to how it makes us feel. And the book puts a theoretical aspect on it. So definitely something I HAD to read.

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Announcement: ATKTransientSplitter 1.0.0

I’m happy to announce the release of a mono transient splitter based on the Audio Toolkit. They are available on Windows and OS X (min. 10.11) in different formats.

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Audio Toolkit: Transient splitter

After my transient shaper, some people told me it would be nice to have a splitter: split the signal in two tracks, one with the transient, another with the sustain. For instance, it would be interesting to apply a different distortion on both signals.

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